brett whiteley self portrait 1975 brett whiteley self portrait 1975

. 26-53, Melbourne, 1997, 49 (colour illus. Discusses how alcohol opens up circus of the imagination which Whiteley feared he would not be able to reach otherwise. His expression is completely blank, as if he wanted only to pause and take stock of himself. He met other artists and musicians while he lived at the Hotel Chelsea, where he befriended musicians Janis Joplin and Bob Dylan. Greg Weight (b. 9-13, Cammeray, (1995-1996), 9-13. BRETT WHITELEY. Portraiture for Brett Whiteley was an insight into the psychology of the human condition. He won the Wynne Prize again, in 1984, with The South Coast after rain. Free entry, Find out what you need to know before visiting, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Australian icons: twenty artists from the collection, Affinities: Brett Whiteley & Lloyd Rees (2001). Sebastian Smee, The Australian, 'Smoking thrills', pg. It was written with unprecedented behind-the-scenes access, and illustrated with classic Brett Whiteley artworks, rare notebook sketches and candid family photographs. At 16 we are all misunderstood and ready to identify with Van Gogh, but few teenagers could have created such an accomplished homage. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. WHITELEY, Brett (1939-1992) 'Self Portrait at 36, Comedown,' c1975. The Brett Whiteley Studio, Brett Whiteley: Interiors, Sydney, 2001. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. Wendy Whiteley, former wife of Brett Whiteley, talks about the work 'Self-portrait in the studio' (1976). At the age of 16, while boarding at Scots College in Bathurst, he came across a book on Vincent Van Gogh and painted a self-portrait in emulation of the famously misunderstood Dutchman. Unlike 'Self portrait in the studio, critics were divided about 'Art, life and the other thing, perhaps because of its sensationalism and lack of subtlety compared to the earlier work. 25 May - Opening of exhibition of color photography by William Eggleston at the Museum of Modern Art, New York. For the Australian politician, see, Brett Whiteley Travelling Art Scholarship, "Brett Whiteley painting smashes Australian art auction record", "Self portrait after three bottles of wine", "How Whiteley Bay view became Selling Point", "Whiteley art auctions for nearly $3.5-million", "Whiteley painting sells for record price", "The Fourth Veil: Whiteley's Works on Paper, Brett Whiteley Studio", "Figure retoriche: Figures of speech. Barry Pearce, Brett Whiteley Art & Life, 'Persona and the Painter', pg. I remember having this very, very powerful sense that my destiny was to completely give myself to painting that I would be a painter and it was a remarkable moment of knowing that. No other Australian artist had such a wild, woolly set of curls. His work was not always being praised by critics, although its market value continued to climb. 26, Sydney, Jun 2014, 26 (colour illus.). Sandra McGrath., The Australian, 'The making of an authentic genius', Sydney, 24 Jan 1977, 8 (illus.). cat.no. He is represented in the collections of all the large Australian . 100-111, London, 1998, 108 (colour illus.). Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. ), 205 (colour detail illus.). He then turned to series of paintings of waves, interiors, the harbour, and coastal landscapes. Self portrait in the studio Brett Whiteley 1976 1.1977 Winner - Archibald Prize 1976 On display . Geraldine Pascall., The Australian, 'All the makings of a lovely brawl', Sydney, 21 Jan 1977, (illus.). A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. This article analyses art prizes and their judges, and this year's entries in the Archibald, Sulman, and Wynn competition. ), 198, 209 (illus.). Rodney James., WARNING: Smoking has been linked to some of the most powerful images of the twentieth century, 'Come to where the flavour is, smoking, cigarettes + modernity', Mornington, 2006, (colour illus.). Get the best deals on Brett Whiteley Art. 15 Jun 1992. Dr. Virginia Keeney is photographed examining Whiteley's self portrait. The 44-year-old Hele's winning entry was a portrait of Mr Robert Campbell, South Australian National Art Gallery director.'. 1976 Self Portrait in the Studio 1978 Art, Life and the other thing Wynne Prize 1977 The . We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. This painting won the Archibald Prize in 1976 and was acquired by the Gallery in 1977. What is your initial response to this artwork? It took a great deal of his time and effort, taking about a year of full-time work. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. 30.5 x 25.5 cm 2023 John McDonald. 34-35, Australia, Sep 1991, 34-35 (illus.). Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). 3], Sydney, Jan 1976-Mar 1976, 233 (illus.). Brett Whiteley AO, artist, displayed a brilliant talent for drawing as a Sydney private schoolboy. The exhibition includes nine phases of Whiteley's art: Early Works, Abstraction, Bathroom Series, Christie and London Zoo Series, Lavender Bay, Portraits . His second Archibald prize, Art, Life and the other thing, shows his willingness to experiment with different media such as photography and collage. He was very much influenced by the peace movement at the time and came to believe that if he painted one huge painting which would advocate peace, then the Americans would withdraw their troops from Vietnam. 272-275, Port Melbourne, 2010, 3 (colour illus. Whiteley's tiny mirror self-portrait also reflects the influence of Eastern art in his portrayal of man as merely part of a larger landscape. Walsh also appears in the . He started drawing at a very early age. Drugs and . This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. ), 6-7. He makes no attempt to hide the fact that he is somewhere else He was trying silently to say, stay away, this is not what it might seem. Subtitled; An extraordinary life. I am trying to become a great man. [5]. 232-243, Sydney, 2000, 232 (colour illus.). See opening hours The second painting has a completely different tone. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). The editor of this section was Geraldine Pascall. How can you use colour, texture, symbols and other elements to give viewers an insight into how you are feeling? Do you feel welcomed or uncomfortable? It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. In terms of media, it used everything from feathers and part of a bird's nest to a glass eye, as well as shell pieces, plugs and brain in a work that becomes a transmutation of sexual organic landscapes and mindscapes. The work experimented with warping and manipulating a straight self-portrait, incorporating his pictorial sense of addiction. Joseph Brown Gallery, Melbourne, 1977. This article appeared in the 'Arts Australian' section of 'The Australian' newspaper. He won the international prize at the second Paris Biennale for Young Artists in 1961, and married his lovely muse, Wendy Julius, the following year. Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. In 1978, Whiteley entered another controversial self-portrait into the Archibald Prize 'Art, life and the other thing and it too made an immediate impact. The dominant impression is one of luxe, calme et volupt, in the manner of Henri Matisse, whose painting, The Red Studio (1911), was Whiteleys chief source of inspiration. The Hotel Chelsea displayed several of Whiteley's paintings from the time he lived there, including Portrait of New York which was hung behind the reception desk.[7]. He was aware of the harm he was doing to himself with his drug addiction, but worried that giving it up might impair his creativity. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. A photograph of a youthful Brett Whiteley also accompanies this article. Why did that particular work gain your attention? Telephone (02) 9225 1734 or 0414 437 588. [3] Throughout 1956 to 1959 at the National Art School in East Sydney, Whiteley attended drawing classes. This article appeared in 'The Good Weekend' pages in a section sub-titled 'The Arts'. 'Appearing in the 'Time Out' section. . Brett Whiteley was born in Sydney on 7 April 1939. Anna Waldmann, Art and Australia (Vol. In his self-portraits, the artist reveals layers of himself and defines portraiture as something beyond the physical self to include his environment, personal and artistic influences, whether affirming or self destructive. Ursula Prunster, Aspects of Australian art, Sydney, 2000, (colour illus.). Imagine an ideal studio space that would help you to create art. He . You entered the wrong email. Year. This article is accompanied by a photograph of John Olsen looking at a section of Whiteley's prize-winning painting. Barry Pearce, Head Curator of Australian Art, Art Gallery of New South Wales said: 'this is an opportunity to bring together a selection of works influenced by, or in tune with, a special Asian aesthetic that began to infiltrate Australian visual culture during the 1960s, in particular the brushwork of Chinese and Japanese calligraphy. It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. Editor Unknown (Editor), Brett Whiteley The Retrospective, This exhibition travelled to Victoria from New South Wales, Melbourne, pre 02 Jul 1996, Cover (colour illus.). Donated through the Australian Government's Cultural Gifts Program. Donald Williams, In our own image: the story of Australian art, Sydney, 1995, 170, 171 (colour illus.). An unconventional triptych, it consists of a small, coloured photo of Whiteleys face; a distorted full-length portrait of him drawing a copy of Dobells Joshua Smith, the controversial Archibald winner of 1943; and a panel that features a screaming baboon in handcuffs, staring helplessly at a hand offering a hypodermic. Art Gallery of NSW. 15-41, London, 1995, 35-36, 145 (colour illus. This article appeared in the `Art' section of the newspaper. From $33.34. Its not the dark, edgy image of a celebrity, but the portrait of an artist. Almost too brutally honest, it seemed like the final flaring of a dying star. As well as Whiteley, artists included here are Peter Upward, Ian Fairweather, John Olsen, Tony Tuckson, Royston Harpur , Michael Johnson, and four of their Chinese contemporaries in the collection; Li Jinxue, HE Jianguo, Wang Ziwu and Nie Ou. 1928 Dr Alexander Leeper by John Longstaff. 3, Mornington, 18 Apr 2006, 3 (illus.). Ashleigh Wilson, author of Whiteley's biography, is a consultant on the work. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. 9, Sydney, 07 Sep 2013, 9. 81-82, Port Melbourne, 1998, 82 (colour illus.). Terry Smith, Australian cultural history, 'Populism and Privilege in Australian Painting', pg. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. In this clip from the 1965 documentary 'The Australian Londoners', Brett Whitele. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett Whiteley's Self Portrait in the Studio was an expressionism painting which stretched the definitions of portraiture. Brett Whiteley and the lyricism of the drawn line - in pictures . ), 145 (colour illus.). Sandra McGrath, Brett Whiteley, 'Lavender Bay: Optical Ecstasy', pg. Brett Whiteley is photographed by Robert Walker at. Typically, the viewer is led deeper into the picture by means of minute detail. This article appears in the 'Focus' section of the newspaper. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from ones psyche. From $32.10. Provenance: private collection NSW (gift from the artist c.1975). Their only child, daughter Arkie Whiteley, was born in London in 1964. [8] He took the van Gogh painting and stretched the lines of the room to a single vanishing point, creating an image which appears fast moving and extremely vibrant and dynamic. Brett Whiteley, AO was an Australian artist. Weight photographed Whiteley throughout the 1970s. 7-106, Sydney, 1994, 80 (colour illus. Resolved: Release in which this issue/RFE has been resolved. He had many shows in his career, and lived and painted extensively in Italy, England, Fiji and the United States. The coroner's verdict was 'death due to self-administered substances'. Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. However, this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. 'Strung between triumph, tragedy' an obituary by Barry Pearce. Further information can be found at http://www.artgallery.nsw.gov.au/brett-whiteley-studio/, Thirty-six looks at four sights on three themes: recent paintings, drawings and carvings, Bonython Art Gallery [Sydney], Paddington, 24Oct197515Nov1975, Three years on: acquisitions 1978-81, Art Gallery of New South Wales, Sydney, 15Oct198101Dec1981, Two centuries of Australian painting, a selection from the Art Gallery of New South Wales, Orange Regional Gallery, Orange, 19Apr198615Jun1986, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16Sep199519Nov1995, Brett Whiteley Art & Life (1995-1996), Museum and Art Galleries of the Northern Territory, Darwin, 13Dec199528Jan1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of Western Australia, Perth, 22Feb199608Apr1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of South Australia, Adelaide, 09May199616Jun1996, Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 02Jul199626Aug1996, Brett Whiteley Art & Life (1995-1996), Tasmanian Museum and Art Gallery, Hobart, 18Sep199617Nov1996, Big Blue - the painted harbour (1997), Art Gallery of New South Wales, Sydney, 21Jun199729Mar1998, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04Aug200003Dec2000, Affinities: Brett Whiteley & Lloyd Rees (2001), The Brett Whiteley Studio, Surry Hills, 10Feb200108Jul2001, Whiteley & Rees: more affinities (2006), The Brett Whiteley Studio, Surry Hills, 03Dec200510Apr2006, Whiteley & Rees: more affinities (2006), New England Regional Art Museum, Armidale, 29Apr200602Jul2006, 9 shades of Whiteley, Gold Coast City Art Gallery, Surfers Paradise, 12Jul200807Sep2008, 9 shades of Whiteley, Lismore Regional Gallery, Lismore, 13Sep200815Nov2008, 9 shades of Whiteley, New England Regional Art Museum, Armidale, 22Nov200808Feb2009, 9 shades of Whiteley, Newcastle Art Gallery, Newcastle, 14Feb200926Apr2009, 9 shades of Whiteley, Bathurst Regional Art Gallery, Bathurst, 01May200914Jun2009, 9 shades of Whiteley, Mornington Peninsula Regional Gallery, Mornington, 02Jul200923Aug2009, Iconic Whiteley (2009-2010), The Brett Whiteley Studio, Surry Hills, 12Sep200922Aug2010, Brett Whiteley - Connections (2010-2011), TarraWarra Museum of Art, Healesville, 06Nov201019Mar2011, Blue (2011), The Brett Whiteley Studio, Surry Hills, 09Jul201108Jul2012, Destination Sydney, Manly Art Gallery and Museum, Manly, 05Dec201514Feb2016, Brett Whiteley: Lavender Bay, The Brett Whiteley Studio, Surry Hills, 25Oct201915Mar2020, Brett Whiteley: Blue and White, The Brett Whiteley Studio, Surry Hills, 30Apr202227Nov2022, Barry Pearce et al., Brett Whiteley education pack, 'Return to Sydney and Lavender Bay', Sydney, 1995, (colour illus.). The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . 12, Sydney, Oct 2006, 12 (colour illus.). From the late 1970s, his self-portraits such as Art, life and the other thing 1978 began to trace his heroin addiction, which increasingly impacted his life and career. The quality which unites them is a fluid energy of the brush, extending through the media of ink, watercolour and oil paint, reflecting a lyrical response to the calligraphic style. The other title to this self-portrait is 'Self-portrait in exactly the spirit in which it was drawn. Barbara Konkolowicz, A different vision, Sydney, 1998. The scholarship enabled Whiteley to travel to Europe and experience first-hand much of the art he had only seen in reproduction. Look at this beautiful house and wonderful pictures and things. Brett Whiteley Self Portrait In The Studio Framed Print . Clem Lloyd and Peter Sekuless, Australia's national collections, Sydney, 1980, 261 (colour illus.). In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Jenny Aland and Max Darby, Australian Artlook, 'A Timeline of Australian Art', pg. [28], This article is about the artist. In July 2016, Text Publishing published Whiteley's biography, titled Brett Whiteley: Art, Life and the Other Thing. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. 61-85, Sydney, 2005, 76 (colour illus. 36. (Bibliographic reference no. WikiZero zgr Ansiklopedi - Wikipedia Okumann En Kolay Yolu This is a repeated advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. Gregory Weight/Copyright Agency, 2022, Greg Weight For further information please contact NPG Copyright. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people. An amazing man. Archibald, Wynne & Sulman Prizes for 1976, Art Gallery of New South Wales, Sydney, 22 Jan 1977-27 Feb 1977. Fields marked with an asterisk (*) are required. One image which uses van Gogh's style in a unique way is The night caf (197172). In London he excited art dealers and fell under the influence of painters such as Francis Bacon. 28-29, Sydney, Mar 2012, 28, 29 (illus.). These are amongst the most prestigious art prizes in Australia. 17, Melbourne, Feb 2001, 17 (colour illus.). Critique of Whiteley. David Christian, 'At Lintas advertising agency, Sydney', c1956. 45. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. Photograph of Whiteley's 'Self Portrait in the Studio' is taken "stored in the bowels of the Art Gallery of NSW", by Bruce Miller. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. He . Reading from left to right, it begins with an exploding sun from a portrait of Yukio Mishima that Whiteley had started but never completed. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. Brett Whiteley is one of Australia's most celebrated artists. The Brett Whiteley Studio (Editor), Big Blue - The painted harbour, Sydney, 1997, cover (colour illus.). Birds and heroes people Brett Whiteley's art. It was a daring, overt reference to a drug habit that many of Whiteleys admirers expected to cut short his career. By townxycolter. Michaela Boland., Weekend Australian, 'Master cards', pg. 30.5 x 25.5 cm. Anne Ryan, Look, 'Drawn to the line', Sydney, Jan 2019-Feb 2019, 34 (colour illus.). His last studio and home - 2 Raper Street, Surry Hills in Sydney - is now a museum managed by the Art Gallery of New South Wales. ), 135 (colour illus.). Greg Weight on working with Jiawei Shen, and starting out as a photographer. 19-22, Sydney, 20 Jun 1992, 19-21 (illus.). Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Thomas Keneally, Australia, 'Dead heart / live heart', pg. Through the 1960s he exhibited around the world as well as in Australia before the family returned to live in Lavender Bay on Sydney Harbour. Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons. 07 Apr 1939 86. This article appears in 'The Arts' section of the newspaper. (1974) The balcony 2 (1975) and Interior with time past (1976 . The National Portrait Gallery respects the artistic and intellectual property rights of others. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. How does it make you feel? This is a review of an exhibition which consists of Archibald Prize winning paintings, that was held at. AU $100.00. The Brett Whiteley Studio (Editor), Big blue: the painted harbour (list of works), Sydney, 1997. signed lower right: brett whiteley. Signed and dated l.l. Whiteley used the occasion to open discussions about Asia during a period in which Australian prime minister Gough Whitlam and American president Richard Nixon were establishing new relationships with the Peoples Republic of China. A foundational moment in Whiteleys journey occurred while he was boarding at Scots College in Bathurst, New South Wales, when, one Sunday, he found a book on Van Gogh at St Stephens Presbyterian Church: I picked the book up and studied it it completely changed my way of seeing. Free delivery and returns on eBay Plus items for Plus members. The illustration in this publication is a detail of this image. Jane Hampson, Look, 'wwwhiteley.com', pg. Philip McIntosh. See opening hours 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. He painted a view of his friend Patrick White as a rock or a headland in Headland; White had told Whiteley that in the next life he would like to come back as a rock. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. In writing about Brett Whiteley, it is tempting to simply present the facts and let the reader draw his/her own conclusions, such are the contradictions. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. 9. Donated through. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). from The New York Times: In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. Brush and ink on brown paper 80.5 x 53.5cm. His last studio and home at 2 Raper Street, Surry Hills in Sydney is now a museum managed by the Art Gallery of NSW. In the late 1970s, Brett Whiteley won the Archibald, Wynne and Sulman prizes several times. . Purchased by the New South Wales State Government 1994, transferred to the Gallery 1998 Wendy Whiteley, Brett Whiteley, 'Self portrait drawing calligraphically', 1975, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait', Brett Whiteley Studio Collection Wendy Whiteley. Are you being ignored or judged? Published in Deutscher and Hackett: IMPORTANT AUSTRALIAN + INTERNATIONAL FINE ART, Braving Time: Contemporary Art in Queer Australia. Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Zo Ross (Editor), Eyewitness travel guides: Australia, 'Botanic gardens and the Domain', pg. Max Prisk (Editor), The Sydney Morning Herald, 'The crucial art of living dangerously', Sydney, 17 Jun 1992, 17 (illus.). Andrew Powell, Departures, 'Sydney[.] Around him at the Hotel Chelsea, other artists and musicians took heroin, which Whiteley did not take at that time. The absorbing detail of the first painting has disappeared, as the artist withdraws into his own head. Brett Whiteley - portrait 1 1975 Greg Weight. Get the best deals on Brett Whiteley Art Prints. 174-195, Oxford, 2001, 190 (colour illus.). Summer at Carcoar Brett Whiteley 1977. The music will be written by Elena Kats-Chernin, with a libretto by Justin Fleming. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Why does he reference these artists in his self-portraits? a portrait within the portrait, and the face of the artist is rendered in strong detail in the reflection of a hand-held mirror. Transmission films. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. The Self-portrait of 1977 sits squarely between his two Archibald Prize winners: Self-portrait in the studioof 1976, and Art, life and the other thing in 1978. Nicolas Brasch, The arts in Australia: Visual arts, 'Brett Whiteley', pg. card no. ), 235. Closed Good Friday & Christmas day In the latter painting, the table in the front of the room close to the viewer has minutely decorated vases and small objects, while a drawing on the left and a sculpture to the extreme right show how Whiteley often used erotic images in his works. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. Saturday 29 April to Sunday 20 August 2006. His wife Wendy appears as "Delish". 21, Port Melbourne, 2005, 21 (colour illus.). 6-7, Melbourne, Jul 1996, 6 (illus. It was first publicly exhibited at the Bonython Art Gallery in Paddington, Sydney in February 1972 as part of an exhibition titled Portraits and other emergencies. [24] The paperback, featuring a new cover, was released in 2017. [6] His first impression of New York was shown in the painting First sensation of New York City, which showed streets with fast moving vehicles, street signs, hot dog vendors, and tall buildings. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). This long oil and ink self-portrait incorporates fluid lines building to a sense of rapture, intoxication and playfulness. Brett Whitely (Australian 1939-1992) Bio. Susan Hunt, The Archibald Prize 1921-1993, Sydney, 1993, 23 (colour illus.). He then gifted it to the current owner who had it reassembled. . This article was edited by Sally White. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett whiteley's self portrait in the studio was a realism painting and stretch the definition of portraiture. Yet Whiteley is always attempting to seduce the viewer, while Matisse had an underlying toughness . 1945 LtGen Edmund Herring by William Dargie. Brett Whiteley painting - alchemy 1972-1973 Art Print. Whiteley appears as a character in the book Falling Towards England by Clive James under the name Dibbs Buckley. Catalogue text. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). The artists face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger landscape. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin. gelatin silver photograph on paper (sheet: 50.4 cm x 40.4 cm, image: 45.2 cm x 30.8 cm) Brett Whiteley AO (1939-1992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy.